Matthew Delamater

The preternaturally adaptable Delamater, as Eric, is ever a pleasure to watch: the nuance with which his rabble-rouser navigates the various British classes and personalities, and his own impulses, is at once subtle and perfectly suited to farce.

Through Parker and Delamater’s remarkably empathetic performances, any one version of the couple comes to feel like the sum of its multiplicity. And its exquisite final moments, Constellations lets Marianne and Roland waltz in the vastness of their possibilities. As Marianne and Roland dance, their infinite choices — and the limits of knowing only one at a time — scintillate in the air. We might feel our own myriad selves hovering somewhere close.

Delamater has an old-timey showman's charisma

Tybalt is given combustible gravitas by Matt Delamater as a single-minded powerhouse whose raison d’etre is to kill Montagues.